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英文テキストはこちら⬇︎
Most important is not to treat data as a silver bullet for everything…
there are many factors that affect the way we curate.
But, yes, all in all, data does affect what we decide to produce and what we acquire."
Magdalene Ew, Head of Content-Entertainment, WarnerMedia
Entertainment Networks, Asia Pacific
term partnerships. So for Red channel. our partner is Mei Ah. They work closely with us to acquire all the content from around the region. We haven't so far seen any challenges or any issues. The brand helps as well. And I think distributors do not want to put all their eggs into one basket. They want to be able to have their content on all the various platforms in Asia. So far, we don't see potential problems."
What about co-productions, like The Head with The MediaPro Studio. Are these global partnerships and investments part of a structured agenda to be involved in international co-production or is it just opportunistic, as and when they come up?
"I won't say opportunistic, although to a certain extent it could be seen that way... With The Head, it was good timing, the right place at the right time. The conversation started really early on; I think we spoke about it a year and a half or close to two years in advance. And it took a long time. At the time, we had worked out our timelines and our plan for the year, and there was a void for that particular month for a
particular show.
"The Head has a great cast; [Japanese idol] Tomo is very popular in Asia and English-language content can travel as well in Asia. On the week The Head launched on HBO Go, the series rated number one.
"So we look forward to more co-productions. We're open to any ideas. Nothing stops us from working with anyone internationally, and we might work with HBO networks in the U.S., Latin America or Europe to create content.
"With streaming services these days, consumers are used to shows that are not just in English. Most languages travel, as long as you find the right story.
"The beauty of The Head is, besides the cast, the story itself. it's a sixparter so it's very easy watching.
"We want to make sure we have a mix of different kinds of original production or co-production, be it in Chinese or Bahasa or Thai or even remakes, like Miss S, a 30-parter in Chinese. [ Miss S is a Chinese adaptation of Australian drama, Miss Fisher's Murder Mysteries, which is currently on Netflix]
"Miss S is in 30 episodes, there are 15 cases/15 stories, each solved within two episodes. You can watch it in isolation, two episodes each time.
"We want to try different formulas for original productio and co-pro so that we can see what works and what doesn't work."
翻訳サイトの和訳読むと
THE HEADの説明を長々としててwww
しかも和訳だからだと思うけど
訳分かんない事が長々とwww
で
王子の事は一瞬www
こんなんで王子をあんなデカデカと使うんだねっ！？
てっきり王子の事を長々と書いてくれてるんだと思ったwww
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でも
もうちょっと書いてくれても良くないかなぁーーーーーー
17:59
テキスト貼ってるから
URLも貼っといた方が良いねっ！
https://issuu.com/contentasia/docs/issuefivedec2020/28
